|
One
of the major Spanish poets of the 20th century, Alberti, born
in Seville studied art in Madrid and enjoyed some success as a
painter before 1923, when he began writing and publishing poems
in magazines. His first book of poetry, Marinero en tierra (1925;
"Sailor on Land"), recalled the sea of his native Cádiz region
and won a national prize. A member of the so-called Generation
of 1927, Alberti helped to celebrate the tercentenary of Luis
de Góngora in 1927, and Góngorist influence is apparent in the
work published in that period, El alba del alhelí (1927; "The
Dawn of the Wallflower") and Cal y canto (1928; "Quicklime and
Song"). With his next book, however, the somewhat Surrealist Sobre
los ángeles (1929; Concerning the Angels), Alberti established
himself as a mature and individual voice.
In the 1930s Alberti's work became overtly political; he wrote
plays, traveled widely, joined the Communist Party--from which
he was later expelled--and founded a review, Octubre . He fought
for the Republic in the Spanish Civil War and afterward fled to
Argentina, where he worked for the Losado publishing house and
resumed both his poetry and his earlier interest --painting. In
1941 he published a collection of poems, Entre el clavel y la
espada ("Between the Carnation and the Sword"), and in 1942 his
autobiography, La arboleda perdida (The Lost Grove), and a book
of drama, prose, and poetry about the Civil War, De un momento
a otro ("From One Moment to Another"). He published a collection
of poems inspired by painting, A la pintura (1945; "On Painting"),
and collections on maritime themes, such as Pleamar (1944; "High
Tide"). After 1961, he lived in Italy until he returned to Spain
in 1977.
Source:
Encyclopaedia Britannica
|